The most welcome flowers of all are those of spring as they appear at the time of year when we crave for colors and fragrance after the drabness of winter. They have unfortunately earned the reputation of being short-lived and difficult to arrange. This is probably because nature has equipped many of them with strong straight stems and spear-like leaves specially adapted to pierce hard soil. As many blooms out of doors in cool conditions, the texture of their petals is ill –suited to heated rooms.
Let us consider their advantages. Many spring flowers are bulbous subjects forming part of a botanical group of plants called Monocotyledons, marked characteristics of this group being that their cells are arranged in parallel veins. How to send flowers to philippines in discounted rate through www.philippinesflowersdelivery.com/
This cell structure enables them to drink water more easily than plants with more complex cell systems. Thus they are well suited to be arranged in parallel veins. This cell structure enables them to drink water more easily than plants with more complex cell systems. Thus they are well suited to be arranged on pin holders and in shallow containers as is the present vogue. Their clear shape and often strong color give them a distinct personality, whilst their perfume, developed to attract pollinating insects which are scarce at this time, is also greatly appreciated by flower lovers.
The importance of conditioning plant material is often overlooked. All cut flowers need several hours in deep water in a cool place before arranging. It is advisable to remove all the white portion from the stem tips of the bulbous subjects. Iris and tulips are particularly inclined to wilt if this is not done.
For woody stemmed material, such as forced Lilac, or Guilder Rose Viburnum Opulus, it is essential to split the stem tip by using a knife or hammer and then place the blossom stems in two inches of very hot water. Choose a deep pail for this process, filling it up with cold water after ten minutes. Protect the actual blooms from steam with tissue paper. This is also a most effective way of reviving wilted woody stemmed material generally, the stronger the stem the warmer the water to be used to revive soft-stemmed flowers, and will produce results were cold water fails, Anemones being a case in point.
Tulips are particularly difficult to condition, and it should be borne in mind that they grow in water when cut, thus altering their position.
Friday, July 29, 2016
Simple arrangements
The first requirements for an arrangement are plant material, a
container and something to hold the flowers and foliage in position. Most
arrangements are made up of three types of plant material; fine pointed material
for the outline, filling in materials, and important flowers or foliage to make
a center of interest. what is the best option for wedding florist philippines delivery by www.philippinesflowersdelivery.com/
For the outline, use the foliage such as privet, Ivy and or iris leaves and branches of forsythia or Pussy Willow. Bare branches and grasses will serve the same purpose. The function of this outline material is to lead your eye to the center of interest. The filling in the material may be medium sized flowers such as freesia’s, sprays of Mimosa or clusters of berries or interesting foliage. For the center of interest large rounder flowers should be used, for example, Tulips or Chrysanthemums; large leaves may serve either as the focal point or to back up the central flowers and give visual weights to the base of the arrangements. The next consideration is the container and pin holder or wire. With a shallow container, a pin holder should be fixed by placing four small knobs of plasticine on the bottom of the pin holder, which is then pressed down hard onto the container with a screwing motion. The pin holder and container must be absolutely clean and dry, or the plasticine will not stick. Crumpled 2-inch mesh chicken wire should be settled firmly into a deeper container. A pin holder at the bottom is desirable though not essential.
Now for your arrangement. Firstly decide what decide what design to attempt. There are various conventional designs in flowers arrangements, made up of straight lines or curves. Vertical, horizontal and triangular arrangements are in the former group, and crescent and Hogarth curve in the latter. In making arrangements of any designs, all the material should flow out from one point, in front of which should be the center of interest, usually low down and beneath the tallest placement.
A vertical design is perhaps the simplest of all. The container, which should be shallow and wide, should have the pin holder in the center. If you are using a dish which does not hold enough water, the pin holder can be placed in a small bowl or painted tin. First, make the outline. Three pieces of Pussy Willow of varying lengths will be suitable. Place the tallest in the center, about two-thirds of the way back in pin holder.
For the outline, use the foliage such as privet, Ivy and or iris leaves and branches of forsythia or Pussy Willow. Bare branches and grasses will serve the same purpose. The function of this outline material is to lead your eye to the center of interest. The filling in the material may be medium sized flowers such as freesia’s, sprays of Mimosa or clusters of berries or interesting foliage. For the center of interest large rounder flowers should be used, for example, Tulips or Chrysanthemums; large leaves may serve either as the focal point or to back up the central flowers and give visual weights to the base of the arrangements. The next consideration is the container and pin holder or wire. With a shallow container, a pin holder should be fixed by placing four small knobs of plasticine on the bottom of the pin holder, which is then pressed down hard onto the container with a screwing motion. The pin holder and container must be absolutely clean and dry, or the plasticine will not stick. Crumpled 2-inch mesh chicken wire should be settled firmly into a deeper container. A pin holder at the bottom is desirable though not essential.
Now for your arrangement. Firstly decide what decide what design to attempt. There are various conventional designs in flowers arrangements, made up of straight lines or curves. Vertical, horizontal and triangular arrangements are in the former group, and crescent and Hogarth curve in the latter. In making arrangements of any designs, all the material should flow out from one point, in front of which should be the center of interest, usually low down and beneath the tallest placement.
A vertical design is perhaps the simplest of all. The container, which should be shallow and wide, should have the pin holder in the center. If you are using a dish which does not hold enough water, the pin holder can be placed in a small bowl or painted tin. First, make the outline. Three pieces of Pussy Willow of varying lengths will be suitable. Place the tallest in the center, about two-thirds of the way back in pin holder.
Irises or Tulips
The height should be about one and a half times the width of the container, not
less, but if it is fine material it may be more. The other two pieces should be
placed one on each side of one close to the first, Five or six Irises or Tulips
may now be placed in front of the leaves, graduated in height and not
immediately one below the other, but slightly “Staggered”. A bud should be at
the top and the largest flower low at the base to be the center of interest. If
Tulips are used, the petals of the lowest ones may be turned back carefully to
appear more important. Large leaves such as Bergenia, Laurel or Arum are needed
to give weight to the base, not forgetting to put one or two at the back of the
pin holder to give depth to the arrangement. florist manila delivery in USA with the help of philippinesflowersdelivery.com/
Some feeling in the material can be recessed round the lower flowers. This design can be made in a tall narrow container, but this is more difficult for a beginner.
A simple triangular arrangement requires three pieces of fine foliage, one for the center upright and the other two pieces for the “arms,” about two-thirds the length of the main branch. This should be placed horizontally on each side, but coming slightly forward in order to give depth to the arrangement. To place them at an angle on the pin holder, cut the stems at a slant, put them upright on the pins and press them down to the desired position. Imagine a triangle with the three points of the outline and all other material should be within this to keep the design. Working towards the center, still with all the stems flowing out from the point, fill in with medium flowers and foliage, which should be directly beneath the tallest placement. Do not forget to make some flowers and foliage flow forwards and recess others to give the arrangement a third dimension. This design can also be used in a pedestal type container when the height of the container governs the length of the main branch. This should be one and a half times the length of the container, plus enough stem to go down into the water. Always remember to allow some flowers and foliage to flow over the rim of the container. An asymmetrical triangle is made in the same way.
Some feeling in the material can be recessed round the lower flowers. This design can be made in a tall narrow container, but this is more difficult for a beginner.
A simple triangular arrangement requires three pieces of fine foliage, one for the center upright and the other two pieces for the “arms,” about two-thirds the length of the main branch. This should be placed horizontally on each side, but coming slightly forward in order to give depth to the arrangement. To place them at an angle on the pin holder, cut the stems at a slant, put them upright on the pins and press them down to the desired position. Imagine a triangle with the three points of the outline and all other material should be within this to keep the design. Working towards the center, still with all the stems flowing out from the point, fill in with medium flowers and foliage, which should be directly beneath the tallest placement. Do not forget to make some flowers and foliage flow forwards and recess others to give the arrangement a third dimension. This design can also be used in a pedestal type container when the height of the container governs the length of the main branch. This should be one and a half times the length of the container, plus enough stem to go down into the water. Always remember to allow some flowers and foliage to flow over the rim of the container. An asymmetrical triangle is made in the same way.
Horizontal arrangements
Horizontal arrangements may be
made in a bread tin or similar fairly low container, filled with chicken wire. The side piece should be long, flowing
forward and down, but the upright should be very short, and fill in towards the
center of interest which is low down. A horizontal arrangement may also be made
in a candle cup on a candlestick, with the flowers and foliage flowing down
over the rim of the candle cup. The total width of this arrangement should be
one and a half times the height of the candlesticks.
Most Beautiful gift baskets philippines can purchase through philippinesflowersdelivery
The crescent speaks for itself. Using a shallow container, the outline is made from two curved pieces of foliage. Broom is ideal for this. One piece should be longer than the other, the tip of the longer one coming over the center of the pin holder and the shorter one continuing the crescent on the opposite side. It is advisable to use only a few flowers, following the line of the crescent, with buds at the outer ends of the curve and full blown flowers as the center of interest, which should be below the tip of the longer arm. Smaller flowers are foliage can be used to back up the central flowers or foliage can be used to back up the central flowers or foliage can be used to back up the central flowers and hide the pin holder they must always follow the curve.
A Hogarth curve, which is known as the “Lazy S,” is made on a tall container such as a candlestick or tall goblet. It is similar to a crescent, but the outline is turned downwards and forwards to form a rough S shape. The focal point is beneath the tip of the top placement which should come over the center of the container. Again the flowers should follow the curves of the outline, with the largest blooms in the center. It is advisable to use wire and a pin holder for this design.
All flower arrangements are based on the fundamental shapes described, however, simple or complicated they may be. It is not necessary to use an abundance of flowers in order to achieve an artistic effect, and this is an advantage in the winter months when the flowers are scarce.
Interpretive designs a popular section of most flower arrangement exhibitions is that devoted to interpretive designs.
The crescent speaks for itself. Using a shallow container, the outline is made from two curved pieces of foliage. Broom is ideal for this. One piece should be longer than the other, the tip of the longer one coming over the center of the pin holder and the shorter one continuing the crescent on the opposite side. It is advisable to use only a few flowers, following the line of the crescent, with buds at the outer ends of the curve and full blown flowers as the center of interest, which should be below the tip of the longer arm. Smaller flowers are foliage can be used to back up the central flowers or foliage can be used to back up the central flowers or foliage can be used to back up the central flowers and hide the pin holder they must always follow the curve.
A Hogarth curve, which is known as the “Lazy S,” is made on a tall container such as a candlestick or tall goblet. It is similar to a crescent, but the outline is turned downwards and forwards to form a rough S shape. The focal point is beneath the tip of the top placement which should come over the center of the container. Again the flowers should follow the curves of the outline, with the largest blooms in the center. It is advisable to use wire and a pin holder for this design.
All flower arrangements are based on the fundamental shapes described, however, simple or complicated they may be. It is not necessary to use an abundance of flowers in order to achieve an artistic effect, and this is an advantage in the winter months when the flowers are scarce.
Interpretive designs a popular section of most flower arrangement exhibitions is that devoted to interpretive designs.
Great originality and ingenuity
It calls for great originality and ingenuity, and the scope of
portraying quotations, song titles, precious jewels,
etc. is limitless.
Never confuse well-staged gimmicks with genuine originality, and remember the flowers are more important than the accessories.
To sacrifice such principles as good design and colors blending at the expense of pure drama and impact is one of the most common faults, but do not go to the opposite extreme and concentrate so much on the basic principles that an arrangement which sets out to interpret some given subject ends up by being just another lovely design with no real connection with the subject. How to order flowers online philippines for our loveones at http://www.philippinesflowersdelivery.com/
A lively yet well-disciplined imagination is the greatest possible asset to the competitive exhibitor.
Take the subject of “Music”. One arranger interpreted this by means of rhythmic designs, using various white flowers in the form of bells, trumpets, pipes, drums, keys and strings. The leaves of Fatsia with their digital formation were used to imply that all music comes to life at the command of the human touch. The completed design was tagged against a black accordion pleated drape, the two colors used, white and black, representing those of the keyboard.
This type of arrangement may not be the wisest choice of competitive show work, however, as it could be fatal to overestimate the subtle powers of the hidden meaning.
Interesting theme
Commonplace subjects of everyday life sometimes provide the most interesting themes. “Taking the rough with the smooth” could be interpreted by a designed based on the various textures found in wood. A roughly twisted piece of driftwood in its natural state placed on a base of highly polished oak or walnut must be suitable. The use of young roughly Wrinkled Rhubarb or Rodgers leaves in association with well-oiled leaves of Megasea or Magnolia would not only emphasize the meaning of the title but would also add considerably to the general effect by virtue of the contrasting colors employed.
Alternatively, the dark brown glossiness of glycerin leaves will combine effectively with the rough texture of dried Teasels or Artichoke heads.
Royal Welsh Show
At the Royal Welsh Show, one exhibitor had given a most original interpretation of the subject, Tolstoy’s “War and Peace”. A design of lovely “Peace” Roses was very well arranged, and war was cleverly suggested by the trails of Bindweed that tightly entwined all the roses’ stems. The white marble container suggested a somber note of “In Memoriam.”
Never confuse well-staged gimmicks with genuine originality, and remember the flowers are more important than the accessories.
To sacrifice such principles as good design and colors blending at the expense of pure drama and impact is one of the most common faults, but do not go to the opposite extreme and concentrate so much on the basic principles that an arrangement which sets out to interpret some given subject ends up by being just another lovely design with no real connection with the subject. How to order flowers online philippines for our loveones at http://www.philippinesflowersdelivery.com/
A lively yet well-disciplined imagination is the greatest possible asset to the competitive exhibitor.
Take the subject of “Music”. One arranger interpreted this by means of rhythmic designs, using various white flowers in the form of bells, trumpets, pipes, drums, keys and strings. The leaves of Fatsia with their digital formation were used to imply that all music comes to life at the command of the human touch. The completed design was tagged against a black accordion pleated drape, the two colors used, white and black, representing those of the keyboard.
This type of arrangement may not be the wisest choice of competitive show work, however, as it could be fatal to overestimate the subtle powers of the hidden meaning.
Interesting theme
Commonplace subjects of everyday life sometimes provide the most interesting themes. “Taking the rough with the smooth” could be interpreted by a designed based on the various textures found in wood. A roughly twisted piece of driftwood in its natural state placed on a base of highly polished oak or walnut must be suitable. The use of young roughly Wrinkled Rhubarb or Rodgers leaves in association with well-oiled leaves of Megasea or Magnolia would not only emphasize the meaning of the title but would also add considerably to the general effect by virtue of the contrasting colors employed.
Alternatively, the dark brown glossiness of glycerin leaves will combine effectively with the rough texture of dried Teasels or Artichoke heads.
Royal Welsh Show
At the Royal Welsh Show, one exhibitor had given a most original interpretation of the subject, Tolstoy’s “War and Peace”. A design of lovely “Peace” Roses was very well arranged, and war was cleverly suggested by the trails of Bindweed that tightly entwined all the roses’ stems. The white marble container suggested a somber note of “In Memoriam.”
Flowering Currant
Early forced branches of the blossom
of flowering currant, Horse Chestnut, and various species of Prunus of
Forsythia, to name but a few, can be most effective,
and cost little in time or expense. Immerse the entire branch in warm water overnight in the bath. This process will soften
the gummy solution protecting the bud and enable the embryo leaves and blossom
to develop. Catkins have a pendant elegance of their own and will develop in
water without immersion. The hedgerow Hazel or the green tassels of Garry elliptical
are most effective. Most affordable flower delivery philippines for Usa all cities by www.philippinesflowersdelivery.com/
Foliage is essential to almost all spring flower arrangements, as it provides a foil to frame their beauty. Very young leaves are never easy to condition, therefore try to select the more mature growth. Forced leaves of various species of Hosts are interesting and Wild Arums, whilst Begonia rex and Aspidistra are familiar to every flower arranger. The humble Bergenias or Winter Saxifrages provide outdoor foliage often tinted to a liverish hue by cold conditions. These, coupled with evergreen leaves of Iris foetidissima variegate, Arum picture and Arum calcium, Ruta graveolens (Jack man’s blue), and many varieties of Ivy, too numerous to mention, are all essential plants to the flower arranger seeking early leaves. The florist can also provide a wealth of things to enhance our flower including Camellia, Ruscus, Grevillea, Pittosporum and many species of Eucalyptus.
The yellow spider-like flower of Japanese Witch Hazel Hamamelis Mollis followed by the mauve Daphne mezereum and the equally fragrant white species, Winter Jasmine, who’s gracefully arching stems last well in winter are all well known. The attractive colored barks of dogwood Cornus sanguinea, several Willows, and Broom, all add interest to the Winter garden.
So much for what to grow and how to condition. The type and style of arrangements will be governed by the purpose for which it is intended and the setting it is to fill. This may be greatly varied, from the simple to the opulent. The choice of the container will depend on the material that is available for the arrangements. Startling effects can be achieved with a modern glass of exciting color, designed mainly for the contemporary setting. The simple rusticity of woven baskets and handmade pottery are a natural choice for the cottage home, as are old metal containers of pewter, copper, and brass, together with a wooden bowl and boxes.
Foliage is essential to almost all spring flower arrangements, as it provides a foil to frame their beauty. Very young leaves are never easy to condition, therefore try to select the more mature growth. Forced leaves of various species of Hosts are interesting and Wild Arums, whilst Begonia rex and Aspidistra are familiar to every flower arranger. The humble Bergenias or Winter Saxifrages provide outdoor foliage often tinted to a liverish hue by cold conditions. These, coupled with evergreen leaves of Iris foetidissima variegate, Arum picture and Arum calcium, Ruta graveolens (Jack man’s blue), and many varieties of Ivy, too numerous to mention, are all essential plants to the flower arranger seeking early leaves. The florist can also provide a wealth of things to enhance our flower including Camellia, Ruscus, Grevillea, Pittosporum and many species of Eucalyptus.
The yellow spider-like flower of Japanese Witch Hazel Hamamelis Mollis followed by the mauve Daphne mezereum and the equally fragrant white species, Winter Jasmine, who’s gracefully arching stems last well in winter are all well known. The attractive colored barks of dogwood Cornus sanguinea, several Willows, and Broom, all add interest to the Winter garden.
So much for what to grow and how to condition. The type and style of arrangements will be governed by the purpose for which it is intended and the setting it is to fill. This may be greatly varied, from the simple to the opulent. The choice of the container will depend on the material that is available for the arrangements. Startling effects can be achieved with a modern glass of exciting color, designed mainly for the contemporary setting. The simple rusticity of woven baskets and handmade pottery are a natural choice for the cottage home, as are old metal containers of pewter, copper, and brass, together with a wooden bowl and boxes.
Wednesday, July 27, 2016
Flower arrangement in churche
The arranging of decorations in holy
places is a very old tradition. In Leviticus 23, God tells Moses “Ye shall keep a feast. Branches of
palms trees and branches of palm trees and the boughs of thick tree and willows
of the brook and decorate my tabernacle.” While Isaiah says: “The glory of Lebanon
shall come upon In ancient times the priests were largely responsible for the
decorating of the churches, but with the Victorian revival and the
encouragement part in the work of the church, gradually it became the custom
for ladies to assume responsibility for floral arrangements. Why flowers deliver as online to philippines with philippinesflowersdelivery
Flowers arrangers
Today church flowers arrangers have learnt that the art of worship is a combination of all the arts. The experience of faith and the experience of beauty are in some measure identical. Decorations are planned to be dignified and enhance each architectural detail. The work of the craftsmen who designed and made the building, the beauty of the flower and the music, can combine to link together the pattern of the services. They can create an atmosphere of stillness and worship which induces a quiet receptivity.
Many churches still work to the old and the well-beloved traditions of yellow and white flowers for Easter the yellow symbolizing glory and the white perfection and at Whitsuntide, red and white decorations the red for the glorious victory and the tongues of fire that descended at Pentecost.
Arranging flowers
For a church should include care and forethought in the preparation and choice of flowers; they should always be freshly cut and not quite in full flower. The stem of branches should always be freshly cut and not quite in full flowers. The stem of branches should be lightly bruised with a hammer before being placed in deep water for a long overnight drink, and the stems of the flowers cut.
The positioning of the flowers is a matter of consolation beforehand with the vicar. Many incumbents do not encourage the decorating of the font, for instance. Should it be possible to use a large arrangement, it must look well from all sides. Flowers at the base of the font. Large troughs are suitable for this, but care must always be taken to ensure that the backs of the arrangements look as well as the fronts. It must be remembered, too, that the flowers will be viewed from above.
Today church flowers arrangers have learnt that the art of worship is a combination of all the arts. The experience of faith and the experience of beauty are in some measure identical. Decorations are planned to be dignified and enhance each architectural detail. The work of the craftsmen who designed and made the building, the beauty of the flower and the music, can combine to link together the pattern of the services. They can create an atmosphere of stillness and worship which induces a quiet receptivity.
Many churches still work to the old and the well-beloved traditions of yellow and white flowers for Easter the yellow symbolizing glory and the white perfection and at Whitsuntide, red and white decorations the red for the glorious victory and the tongues of fire that descended at Pentecost.
Arranging flowers
For a church should include care and forethought in the preparation and choice of flowers; they should always be freshly cut and not quite in full flower. The stem of branches should always be freshly cut and not quite in full flowers. The stem of branches should be lightly bruised with a hammer before being placed in deep water for a long overnight drink, and the stems of the flowers cut.
The positioning of the flowers is a matter of consolation beforehand with the vicar. Many incumbents do not encourage the decorating of the font, for instance. Should it be possible to use a large arrangement, it must look well from all sides. Flowers at the base of the font. Large troughs are suitable for this, but care must always be taken to ensure that the backs of the arrangements look as well as the fronts. It must be remembered, too, that the flowers will be viewed from above.
Subscribe to:
Posts (Atom)